aesthetic considerations造句

• These will serve as guidelines for the aesthetic considerations of our game
  这些是我们的游戏要考虑的因素。
• To me , one of the most impressive aspects of king hu s movie is his aesthetic consideration
  从大醉侠看来，胡氏武侠片其中一个特点是意境优美。
• To me , one of the most impressive aspects of king hu s movie is his aesthetic consideration
  从《大醉侠》看来，胡氏武侠片其中一个特点是意境优美。
• Similar to documentaries , the scenes are always captured from a distant position . can you tell us more about your aesthetic considerations
  即是好像记录片一样，总是从比较远或者冷峻的角度去拍摄目标人物。
• Similar to documentaries , the scenes are always captured from a distant position . can you tell us more about your aesthetic considerations
  即是好像记录片一样，总是从比较远或者冷峻的角度去拍摄目标人物。
• In general , a spectrum of criteria , ranging from the less tangible aesthetic considerations to the more concrete measurable attributes , are intuitively adopted
  大多数人对树木抱有一套审美哲学。这些指标不外乎抽象的直觉及更见具体的可量度的基本准则。
• Crouching tiger hidden dragon is the most devoted successor of king hu s wuxia film that captures hu s spirit wholeheartedly . no matter the aesthetic consideration of the settings or the elegant and acrobatic fight scenes , everything is just evolved from hu s films
  后来电影中，个人认为李安的卧虎藏最有胡氏武侠片的影子，犹其戏中多场武打戏都重形轻实，动作美学显然继承胡氏电影的特色。
• Crouching tiger hidden dragon is the most devoted successor of king hu s wuxia film that captures hu s spirit wholeheartedly . no matter the aesthetic consideration of the settings or the elegant and acrobatic fight scenes , everything is just evolved from hu s films
  后来电影中，个人认为李安的《卧虎藏龙》最有胡氏武侠片的影子，犹其戏中多场武打戏都重形轻实，动作美学显然继承胡氏电影的特色。
• Therefore , you could expect some careful aesthetic consideration , and quality camera work as well as exquisite composition are guaranteed . most of the scenes are well choreographed , especially the final duel between bong and tank . this fierce battle draws the audience successfully with its subtle editing and the institution of a desperate atmosphere
  编导李仁港擅于绘画，初入电影界也是从美术指导做起，对于画面构图的考虑颇为审慎，影片在视觉上的表现不俗，尤其尾段的擂台格斗拍出逼力之馀，也铺陈出一股无奈的气氛，镜头的运用灵活多变。
• Aesthetic consideration is not limited to composition or camera work only , the action choreography is also very elegant . it is very different from any hardcore action movies we see today in which a lot of blood is shed , hu s fight scenes are very exquisite and acrobatic . the movements of the actors are not fast or authentic , in some senses , they are more like dancing than fighting
  胡氏的武侠片和后来功夫片及现代动作片注重拳拳到肉的写实风格不同，他的武打场面著重动作美学，一招一式打得不快，也不写实，而是像舞蹈一样，每一个姿势都不乏美感，不知是否这个原因，胡氏才找来身型比较轻巧的郑佩佩担当主角，因为她打起来比起身型健硕的男生更富韵律。
• Tokyo story and many of his other works so extensively and incomparably that you can trace a pattern there , and his decision of using the technique is not merely based on aesthetic consideration but rather combines it with the thematic elements precisely , it is definitely not inappropriate to consider him as an auteur
  如果你细心留意的话，会发觉除了导演一职外，他通常都兼任故事编剧监制剪接等数职，堪称全面的电影制作人auteur ，亦由于此原因，他对每作品都有话事和控制权，出来的电影自然更能表现他想表现的效果，个人风格得而完全保留。
• Aesthetic consideration is not limited to composition or camera work only , the action choreography is also very elegant . it is very different from any hardcore action movies we see today in which a lot of blood is shed , hu s fight scenes are very exquisite and acrobatic . the movements of the actors are not fast or authentic , in some senses , they are more like dancing than fighting
  胡氏的武侠片和后来功夫片及现代动作片注重拳拳到肉的写实风格不同，他的武打场面著重动作美学，一招一式打得不快，也不写实，而是像舞蹈一样，每一个姿势都不乏美感，不知是否这个原因，胡氏才找来身型比较轻巧的郑佩佩担当主角，因为她打起来比起身型健硕的男生更富韵律。